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The Ranamok Glass Prize is an annual A$10,000 acquisitive award for glass artists who are resident in Australia and New Zealand.
The work presented for consideration for the Ranamok Glass Prize is expected to be a major effort in the artist’s personal body of work. This work should be innovative, displaying excellence and imagination in quality of idea and execution in contemporary practice.
- Click here to download a PDF of the entry form.
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- PACKING INSTRUCTIONS
Your work will not tour if it is inadequately packed. Work which is not packed to curatorial/museum standard and which, at the discretion of RANAMOK GLASS PRIZE LIMITED employees, is deemed at risk if toured, cannot be sent on tour unless it is repackaged at the artist’s cost to a satisfactory standard. Refer Do’s & Don’ts of Packaging below.
If you have questions as to the standards of packing required, please contact Maureen Cahill, telephone (61 2) 9552 1552, before you either deliver or ship your work.
New Zealand artists need to be aware that Customs Duty may apply, which is payable by the artist. Please ensure your shipping documentation reflects the ‘artist’s price’ not the retail price. Please note RANAMOK GLASS PRIZE LIMITED will pay any Australian GST due.
Labelling
Your work needs to be clearly marked with your name, title of the work, and the following information so that it does not get confused with other consignments:
Attention: RANAMOK GLASS PRIZE
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DELIVER: TBA
C/- Kelly or Ross
International Art Services
295 King Street
MASCOT NSW 2020
AUSTRALIA - Telephone (02) 9667 1077
Delivery can only be accepted during the times specified. No late entries will be accepted.
Insurance
Your work will be covered by insurance from the time that it arrives at International Art Services until it is ready for collection at the end of the tour. If, at the end of the tour, your work has not been sold, you will need to arrange collection. RANAMOK GLASS PRIZE LIMITED will advise you when and from where this can be done prior to the end of the tour. In the case of a finalist’s work being the subject of an insurance claim, settlement must await the insurance company’s acceptance and payment of the claim.
Enquiries
Please ring Maureen Cahill on (61 2) 9552 1552 any Sunday between 1pm and 5pm for details on the packing and shipment of your work. If you have any other questions, please contact either Glen Loxton (glenloxton@ranamok.com) or Deirdre Plummer (glassprize@ranamok.com) on 02 8248 1267 or 0419 493 345.
By submitting work to the RANAMOK GLASS PRIZE, each finalist agrees to abide by these terms and the Conditions of Entry in the Entry Form.
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The Do’s and Don’ts of Packaging for the RANAMOK GLASS PRIZE
The RANAMOK GLASS PRIZE is a touring prize, so your piece/pieces will be unpacked and packed a number of times by different people of varying experience during the tour. Therefore, requirements for packaging and instructions must be of a curatorial standard.
Insurance of the work whilst on tour will be the responsibility of RANAMOK GLASS PRIZE LIMITED, provided curatorial standards of packing are met.
As an example:
DO:• use an adequately sized, light, wooden box made of plywood or MDF, using attached diagram as a guide;
• use Philips head screws of adequate length to grip the crate securely;
• insert a washer between screw head and lid of crate;
• make two handles for small to medium crates, four handles for large crates;
• make ‘skids’ for large crates;
• glue thick foam to line the box and lid, with a cut out for the piece to sit snuggly and safely inside, using minimum of 30 to 50mm of foam all round;
• ensure every aspect of your work’s safety is covered and if, in exceptional circumstances, you consider the packing of your work is unsuited to these requirements, you must agree suitable alternatives with Maureen Cahill on (61 2) 9552 1552;
• clearly mark where box is to be opened and put marks on box and lid to show how lid properly fits back;
• ensure both the artist’s name and title of work are marked directly onto box with indelible marker;
• attach detailed instructions, to assist in the handling and setting up of your work, in an obvious spot inside the box so they are easily found. (Duplicate copy to Deirdre Plummer & Glen Loxton for inclusion in the ‘Touring Manual’ for each venue.)
DON’T:
• use cardboard boxes;
• use nails or allen key joints;
• use mitred corners in crates;
• only glue joints - they will not hold during the entire tour;
• use straw, shredded paper or organic materials as packing material
• use loose Styrofoam ‘peanuts’
• use bubble wrap and cello tape
• use chipboard anywhere that screws will be removed and replaced, (ie: lids or sides where lids are screwed down) it breaks down rapidly and doesn’t last the distance.SPECIAL CONSIDERATION:
• If your work is glued, we will require it to be packed to very careful specifications, which will involve additional packing conditions. If this is the case, contact Maureen Cahill for specific instructions.
• Due to past experiences with the use of glue, we reserve the right to decide if work that has been glued will be included in the touring exhibition.
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CONDITIONS OF ENTRY
- Entries are limited to two per entrant.
- Collaborative entries must be jointly signed and acknowledged by both artists.
Work(s) submitted must be original in design, not infringe upon the rights (including copyright) of any third party and be the property of the artist. The work must have been made between 1 January 2008 and 30 June 2008, specially for the purpose of submission for the Ranamok Glass Prize, and use glass as its primary element. It should not previously have been exhibited or published.
- Entrants must be citizens of Australia or New Zealand or have permanent residency status in either country.
All material provided with the official entry will become the property of Ranamok Glass Prize Limited (RGPL). RGPL will not be obliged to return any of the material to entrants.
- Entrants agree that RGPL may reproduce any material provided in the official entry. Digital images/transparencies submitted with entry form will be used in catalogue and for marketing and promoting the 2008 Ranamok Glass Prize. The artist and photographer will be appropriately credited.
- The judging panel will select the finalists and the winner.
- Finalists will be invited to an award evening at which the winner will be announced. The exhibition will subsequently tour to selected venues around Australia and internationally for public display for a period of up to two years.
- Freight, customs and insurance of the works to/from the Sydney
holding address (to be notified in finalist letter) will be the responsibility of the artists. Insurance of the work whilst on tour will be the responsibility of RGPL, provided the work is packed by the artist to a museum standard. Packing details can be obtained from RGPL and will be included in notification to finalists. RGPL has right of refusal if it considers that the work is not packed to the required museum standard. Works to be sold separately must be crated separately.
- Works are stored at the artist’s cost if not collected from the Sydney holding address within 1 week of the release date advised by RGPL. RGPL may sell works remaining uncollected after a further 4 weeks and may recover unpaid storage/warehousing costs from the proceeds.
RGPL will award A$10,000 to the winner, irrespective of the value of the work. On receipt of the award, the work becomes the property of RGPL.
- All works submitted in the exhibition (excluding the winner) will be for sale, allowing for 50% commission on the nominated retail price (excluding GST). Commissions on sold work will be to the account of RGPL and will be used to further promote and develop the Ranamok Glass Prize. The price submitted on your entry form is final and will not be changed.
- Finalists’ work to be available for touring purposes for the duration of the tour. Payment for sold works will be made within one month from the end of tour.




